Virginia Postrel

Virginia Postrel (pron. PAH-STRELL) is an author, columnist, and speaker whose work spans a broad range of topics, from social science to fashion, concentrating on the intersection of culture, commerce, and technology. Writing in Vanity Fair, Sam Tanenhaus described her as "a master D.J. who sequences the latest riffs from the hard sciences, the social sciences, business, and technology, to name only a few sources." ... From July 1989 to January 2000, Postrel was the editor of Reason magazine. Under her leadership, Reason was a finalist for the National Magazine Awards, the industry's highest honor ...

Virginia Postrel accomplished something that few other writers have: She helped redefine the debate between liberitarians and supporters of big government. In her 1998 book, The Future and Its Enemies: The Growing Conflict Over Creativity, Enterprise and Progress (The Free Press), Postrel argued that most political debates are not between liberals and conservatives, but between "dynamists" and "stasists." ... Postrel makes it clear where she stands. She advocates a "a world of constant creation, discovery, and competition" where the future is built bottom-up by individuals, not mandated top-down by politicians.

Virginia Postrel: I had read [Norman Podhoretz's memoir] Making It, and unlike everyone else I thought, wow, this is really what I want to do when I grow up. I really would love to edit one of these magazines. That would be the best job. I didn't want to edit Commentary; I wanted it to be my point of view.
... When the Love Canal issue in February '81 [came out], Steve [Postrel, her husband] was drawn to that, read [it] and started reading reason because of that. We not only liked that article; reason was one of those kinds of [political magazines we liked] but with our point of view.

That criticism [of Hayek] has now been met by Virginia Postrel in her recent book, The Future and Its Enemies. Though she does not say so in so many words, her goal clearly is to take Hayek's defense of a free social order without central government design and show how the spontaneous order of society has improved the human condition and how it can be hindered only by those who desire to consciously direct the evolution of technology, innovation, and discovery ... Postrel demonstrates the nature of this dynamic process with one detailed historical example after another.

Adam Smith famously used a pin factory to illustrate the advantages of specialization, choosing this "very trifling manufacture" because the different tasks were performed under one roof ... By improving workers' skills and encouraging purpose-built machinery, the division of labor leads to miraculous productivity gains ... In 1899, an inventor in the pin-making capital of Waterbury, Connecticut, patented a "machine for making paper clips." ... It was that paper clip design that conquered the office and consigned pins to their current home in the sewing basket.

At a recent think-tank luncheon in Raleigh, economist Bruce J. Caldwell chatted with a local lawyer active in Democratic party circles. The man asked Caldwell what his new book was about. "It's an intellectual biography of Friedrich Hayek," replied Caldwell, a professor at the University of North Carolina, Greensboro ... Hayek and postmodern philosophers were troubled by many of the same issues, but they came to different conclusions. "I don't view him as a postmodernist in the way that some interpreters have," says Caldwell. However, he adds, "I think they had similar enemies."

[I]n a manner that will delight Mrs. Virginia Postrel, Doherty remarks:

Advances in technology have made possible new wired worlds where governments might be unnecessary, new biological abilities have expanded our potential power over ourselves and our environments to almost godlike status. We may even be on the cusp of creating new societies off the surface of the planet itself. (p. 4)

... It is a particular point of view, again insinuated as part of a libertarian consensus when it is not. [For some criticisms of this ..., see my review of Virginia Postrel, The Future and Its Enemies ...]

Hurricane Camille swept into American culture five years ago with the publication of Sexual Personae, a learned 800-page treatise on sex, art, and literature through the ages. After two decades of rejection and obscurity, Camille Paglia was famous. Her demanding master work wasn't exactly accessible to the educated lay reader, but it became a bestseller—as have her subsequent reader-friendly essay collections Sex, Art, and American Culture and Vamps & Tramps ... Paglia still teaches classes and gives exams at The University of the Arts in Philadelphia where she's a professor of humanities.

Tom Peters dots his articles with exclamation points, ellipses, and WORDS IN ALL CAPS. He tends toward sweeping, barely supported statements ("Women are smarter than men," he generalized in Forbes ASAP) and uses the word revolution a lot ... Those postmodern virtues are, it turns out, pretty much what the Hayekian market looks like: "The corporation...as we knew/know it...is dead!" writes Peters in characteristic style. "The market as Hayek knew it and loved it is alive, well, getting better and hopelessly inexplicable! Long live...God knows what! Playground directors united! Ready. Fire. Aim."